| Listen. This is vitally important. If you
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| | no music day. When you come back to your
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| do not listen then your track will be
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| | work you will be refreshed, your ears
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| very poor indeed. Listening is what most
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| | will be willing to take a pounding and
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| musicians have forgot to do and that is
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| | you will listen to your music
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| why we do not hear from them again. They
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| | differently, tagging pieces that don't
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| have lost their roots, what ultimately
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| | fit, sounding strange or having a better
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| made them famous. Trying to move away
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| | idea to implement.Listen to the worst
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| from your group roots is very risky. The
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| | music. Now this isn't an exercise of
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| Prodigy made fantastic rave and deep
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| | laughing at poor techno, but it is to
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| techno, then starting to go into a rock
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| | train you to what is poor and what is
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| phase. It didn't work out too well, now
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| | good. For an example, if I sat in any
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| they are trying to get back into their
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| | Ferarri I would think it is pretty cool,
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| old territory but its hard. Their
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| | but top motor journalists would always
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| fan-base has shrunk as new groups have
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| | give a downside, will always compare it
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| come up. The Prodigy are now releasing
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| | to something else. Why? Because they have
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| their classic hits to try and re-energise
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| | sat in poor cars and they have sat in the
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| themselves to grab back their old fans,
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| | best, now they have a scale to use to
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| telling them "remember this, you liked it
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| | judge any car. This is what you need to
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| and now we are going to do the same".Alot
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| | do. How do you know a good song is a good
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| of money spent, alot of marketing time
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| | song? Subliminaly you cross-reference it
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| used. With example 2, Elton John has
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| | with something poor. But instead of doing
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| constantly chirped out piano tunes for
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| | it in the back of your mind, dig out the
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| along time now, always variation on the
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| | poor songs and (unfortunatley) listen to
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| same theme and he is still lasting the
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| | them. Another example. I have seen on
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| time.Listening to your audience, your
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| | some websites they give away cassettes of
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| dedicated audience (that will buy from
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| | their work. I know that this is poor
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| you regularly) is the life-line to your
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| | practise because I have seen MP3s being
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| selling. Go off-track and some will not
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| | offered for download (quicker, free and
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| like it but then again you might attract
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| | better quality).Listen to other styles.
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| some new customers. For me, I would stick
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| | This may be tringgering the "what is he
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| to what you know, you are good at it so
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| | talking about" response, but hold with
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| why change? Sure re-invent yourself or
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| | me. On my site I have demonstrated a
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| adapt to the ever changing music market,
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| | fundamental fact through alot of top
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| but never change style. Case in point.
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| | techno acts. They all have elements of
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| Kyle, pop queen and the lady who brought
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| | different styles interwound within their
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| us the Locomotion and I should Be So
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| | own. For example, The Shamen and The
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| Lucky. But instead of keeping with cheesy
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| | Prodigy have most noticable rock
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| pop she has slowly re-invented herself-
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| | influences. The great thing about rock is
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| pinnicling at Can't Get Your Out Of My
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| | that there is only a few things that you
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| Head. Same pop, but with 21st Century
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| | can do with an electic guitar. So their
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| twist.Listening also means you should
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| | tracks have to be really catchy,
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| listen to other tracks, go to concerts,
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| | employing good lyrics, cool bass and
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| clubs, wherever they play your music. DJs
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| | hookable leads. It is no wonder then that
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| are always, and have to be, up-to-date
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| | other artists from other styles look to
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| with "whats hot and whats not". They
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| | rock as an influence. If I was into
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| listen to their audience, and they know
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| | ambient music, I would listen to
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| sure well that if they get it wrong they
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| | classical music for inspiration. Both are
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| either won't work again or they will get
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| | similar to each other in that they have
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| booed at!Listen to other peoples
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| | long sweeps and can go on for a while but
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| comments. I had a real hard time
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| | still sound fresh, evolving, and can
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| listening to other people rip my music
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| | still use hooks. Classical music has been
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| apart but I realised it was for the best.
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| | an influence for William Orbit (helped
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| You must make sure that the people who
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| | Madonna with her Ray of Light CD,
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| listen to your music is your sudience. If
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| | including that cool track Frozen), and he
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| you do Drum and Bass and give a track to
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| | technoified Barbers Adaigo for Strings, a
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| your grandparents to hear they might not
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| | cool classical track in itself and was
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| like it. Playing a track to your friends
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| | brought into the light when it was played
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| of similar style liking, or a group of
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| | in Platoon.Finally Listen to yourself.
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| people is much better. A group increases
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| | Why did you make the track in the first
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| the reliability of your "little study
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| | place? Were you going to build it up into
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| into your tracks", more people increases
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| | a cool chorus, or was there an idea that
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| the reliability and gives you a better
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| | you wanted to tinker around with that
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| opinion of how your tracks will be
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| | sounded really cool? Not knowing where
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| accepted. If one person says "ohh I didnt
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| | the track is going, not seeing the light
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| like that sample" keep it in mind, but if
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| | at the end of the tracks tunnel, or the
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| alot of people say the same, change the
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| | loops are just not sitting right can have
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| sample. It is a rare oportuinity to see
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| | a negative effect on your confidence and
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| how your audience will react to your
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| | moral. Write down what you would like to
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| tracks, in the real world your sales
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| | see from this track. Maybe even before
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| would reduce, and you would just scratch
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| | you start get all the basic loops, or
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| your head wondering why.Listen to the
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| | downloading website names all collected
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| best in the genre. If you want to know
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| | before setting off. If the track is just
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| what excellent and top techno tracks
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| | a notepad, make it so, don't spend too
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| sound like ask your target audience who
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| | much time on something that is just a
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| their top artists are, sometimes you
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| | sketch pad. If it doen't work, fine, but
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| might get inspiration from artists that
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| | why, if you have no joy, leave it. Go
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| you haven't heard from before, then
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| | back to it later on, don't make yourself
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| surround yourself with the tracks. Listen
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| | too angry or involved in something that
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| to the tracks and bathe in their
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| | can have a nehgative impact on all your
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| coolness.Listening can sometimes mean not
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| | techno making.Dominic Hough has made
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| to listen. Sounds strange I know. But if
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| | music for over 18 years. On his site Make
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| you have been listening to your tracks
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| | your own Dance and Techno he has proved
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| day in day out, then listen to other
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| | that you can make, and market your own
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| peoples tracks, you can get a bit bored,
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| | techno songs for free. His site also
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| tired, and to a point the tracks get
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| | covers sampling, MP3s, loops and much
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| samey. Have a day out in the week for a
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| | more.
|
